Rob Jones reviews soul records from his vinyl collection.
Sam and Bill - Come On Show Me (1971)
Sam Davis (who'd replaced Sam Gary by this point) and Bill Johnson's 'Come On Show Me' is one of those great old tunes which unfortunately seems to have slipped into obscurity over the years.
A highly recommended and essential addition to any soul vinyl collection which won't break the bank.
Sounds Four - Keep On Lovin' (1968)
This superb and often overlooked uptempo tune with great harmonies was released twice on Oscar Washington's short-lived local Saintmo label out of St Louis, Missouri and is still a record which resides within the realm of affordability. I've always preferred the 203 release of this one which has the brilliant 'Hey Girl' on the flip side. The band also recorded as the Fabulous Four and far as I know, the list below was the extent of the Saintmo label's output. As you can see it wouldn't be particularly difficult to complete this label for your collection, although Saintmo 300 can be a bit pricey depending on where you find it.
The Sounds Four - A Memory Best Forgotten c/w Love Together (Saintmo 201)
The Sounds Four - Keep On Lovin' c/w A Memory Best Forgotten (Saintmo 202)
The Sounds Four - Keep On Lovin' c/w Hey Girl (Saintmo 203)
The Fabulous Four - If I Knew c/w Everybody's Got to Have a Heart (Saintmo 300)
Sugar and Sweet - You Don't Have to Cry (circa 1964)
A recommended if somewhat obscure old R&B belter which seems to have a hugely fluctuating price range nowadays on any of its releases. I've seen it on a couple of other labels (PEP and Morton) and there's also a black S S J label release, plus another version by Baby Lloyd on the old Wolfie label called 'I Refuse to Cry'.
Suzy Wallis - Tell Him (1966)
When it comes to blue-eyed soul, in my opinion Suzy Wallis is up there with the best of them and I've noticed that her records have been featured by internet soul DJs in their radio shows recently, which is great. What isn't so great is that very little seems to have been published about her, so here's a bit of info: Raised in Saint Louis, Missouri, Suzanne Wallach began her career in television at the age of 11 with a show called Suzy's Playroom. She was a gifted guitarist who appeared on numerous variety shows. Having met Lorne Greene who was also a singer, but better known for his portrayal of Ben Cartwright in the TV series Bonanza (and often credited for her discovery), Suzanne moved to Las Vegas with a name change at his behest to become one of his opening acts. This was where she connected to several top songwriters and even later became a backing vocalist for the Beach Boys.
Although her 'Kisses on Paper' recording seems to be the preferred song among the aforementioned internet soul radio DJs, the song I've featured here has always been the best for me. Suzy only recorded three records for the RCA label, but to my ear this one is the best of the bunch. 'Tell Him' brings out the finest qualities of her amazing voice and I've always been proud to have it in my collection. Listen out for a very soulful performance by the Girlfriends who were Suzy's backing vocalists.
T.I.M. Love - The Lively One (1967)
This was actually J Vincent Edwards who underwent a name change in the US due to potential confusion with a well known actor of the time.
This traditional sounding old soul dancer was also released in the UK as Vince Edwards on United Artists. The flip side of 'I Can't Turn Back Time' (another goodie) on both labels, although I personally prefer this side.
Tempos - Sad, Sad Memories (1966)
Often confused with the earlier Pittsburgh Tempos, this band hailed from Los Angeles, a melting pot of musical talent in the 1960s. The first copy I ever had of this was the later Canterbury label 1967 release as the flip side of 'Countdown Here I Come' and as good as that storming dancer is, I've always preferred this. I believe 'Countdown' received some regional airplay in the US at the time, only to fade into obscurity before its revival here in the UK, where it became so in demand it was quite heavily bootlegged.
'Sad, Sad Memories' was released twice on the Soultown label, but I've always favoured this one as it has the fantastic instrumental on the flip side.
Wilson Pickett and the Falcons – You're on My Mind (1962)
Sometimes overlooked by collectors, 'You're on My Mind' dates from Wilson Pickett's early years with the Falcons before he became a major star in his own right and it goes some way to demonstrate the transition period between 1950s doo-wop and the emerging soul sound of the early 1960s. The line-up included Wilson Pickett (who replaced Joe Stubbs in 1960), Eddie Floyd, Mack Rice, Willie Schofield and Lance Finney. I've included this particular song here as an example of an important piece of early soul history which perfectly captures the era when the Falcons were helping to shape the soul genre. Interestingly, some databases erroneously list the writers of this song as Schofield/Finney, but as you can see from this original copy, the writer was actually Bob Hamilton.